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Showing posts with the label Kings Of Leon

IN REVIEW: Kings of Leon - "WALLS"

After a couple of sort of difficult, kind of mediocre post-stardom records that skirted around the massive hooks that turned them from ragged fringe artists to world-conquering heroes, Kings of Leon's seventh album (aka We Are Like Love Songs , in case you were worried they'd broken their streak of five-syllable album titles) is their most consistently glossy record yet. So as to say, the soaring choruses and sharp melodies that made Only By the Night a runaway smash eight years ago are once again fair game. The cynical might see this as a contrived attempt to recapture their status, but I see it more as a band recognizing where their strengths lie and making the most of their talents. Put another way, if Come Around Sundown was an excessive and scattered response to fame and Mechanical Bull was a tentative attempt at returning to their pre-fame roots, then WALLS is the confident acknowledgement of what made them famous. That said, this record will earn little to no goodwil...

Year in Rock 2013: Song of the Year!

Over the course of forty days, I've talked and talked about these songs leading up to the moment when one would be singled out to wear the crown as 2013's Song of the Year. The time for talk is over. If, by chance, you missed the write-ups on any of this year's nominees, they're all here . I've also added hyperlinks below for the ten shortlisted nominees. Other than that, let's get the show on the road! The Shortlist: Arctic Monkeys: Do I Wanna Know? Clutch: Crucial Velocity Foals: Inhaler Headstones: Far Away From Here Kings of Leon: Beautiful War Man Man: Head On Pearl Jam: Sirens Queens of the Stone Age: Kalopsia Vampire Weekend: Diane Young J. Roddy Walston & The Business: Heavy Bells AND THE WINNER OF YEAR IN ROCK 2013'S SONG OF THE YEAR AWARD IS...

Year in Rock 2013 Nominee: Kings Of Leon

KINGS OF LEON Beautiful War From: Mechanical Bull Released: September 24 Having weathered storms both personal (Caleb Followill's alcoholism) and professional (the inevitable backlash that came with success), Kings Of Leon now seem poised to go soldier forth through neutral ground. The haters have quieted down, and the songs aren't overreaching in their ambition as they sometimes were on Come Around Sundown . Better yet, the songwriting benefits greatly from some sober reflection; just listen to the heartbreaking highlight Beautiful War and consider it wasn't even considered for inclusion on the album that spawned megahits Sex On Fire and Use Somebody . Kind of scary, no?

Watch Kings Of Leon Tear Through New And Old Tracks Alike For Letterman

To celebrate the release of their sixth album Mechanical Bull this week, Kings Of Leon dropped by The Late Show With David Letterman last night to rip through album track Don't Matter . Then, they stuck around to do another 45 minutes or so for the audience. Balancing new tracks and past hits, it was a fine performance, which can be watched below along with the televised performance of Don't Matter : Mechanical Bull is out now.

Hear Me Out: Don't Call It A Comeback

I think maybe I frequent the wrong websites. While doing my usual day-off web surfing today, I came across an article wherein Supersoaker , the new Kings of Leon single, was discussed. In the course of reading the article and its comments section, I was reminded again just how disgusted many so-called "fans" of the band were when the Followills got haircuts and made a bid for mainstream success. It turns out that many of these fine folks actually dig the new single; they're calling it a slight return to the sound of Aha Shake heartbreak , a.k.a. The One Hipsters Cite As Kings Of Leon's Classic Because You Look Cooler To The Internet If You Like It More Than The Obviously Better Youth & Young Manhood . Of course, that's not what grinds my gears about the faint praise Supersoaker is getting; rather, it's the insinuation that maybe, just maybe, the new Kings Of Leon album will mark a comeback. You know, a triumphant return from those dreadful years ...

Hear Me Out: Dog Days' Best In Show, Part 2 (1997-2012)

A couple of weeks back, I mentioned ten awesome and/or important albums that have the distinct privilege of being released during the months of July and August, a virtual musical dead zone where labels keep the good stuff locked in their cupboards for the fall shopping season and have stopped adequately promoting the marquee releases that came out in spring. We covered a good chunk of the 90's during Part 1. Today, let's have a look at 1997-2012, and ten more albums that beat the odds and captured that elusive Summer Greatness.