Skip to main content

Tracklist, Double Shot Of Tunes From Wintersleep's New Album

One of the Maritimes' most exciting exports, Wintersleep have announced their fifth album, Hello Hum, as well as a couple of tracks from it.

Hello Hum follows just two years after their somewhat polarizing 2009 release, New Inheritors.  That album showcased less melancholy and raw emotion than their previous three, which seemed to rub some fans the wrong way.  Well, judging from the first two songs to see light of day, those folks aren't likely to be swayed.

The first official single, In Came The Flood, finds Wintersleep less in their signature "alone in a dark room" vibe, and more in a "this song could help us open for U2", epic frame of mind.  It's certainly an interesting track and, though doesn't hearken back to the depression-laden dirges found on Welcome To The Night Sky, finds an entirely new way for the band to excite:



Also up for your listening pleasure is Resuscitate, a song that has more in common with what we've come to know from Wintersleep.  However, there is a playfulness present in the form of keyboards and percussion that compliment and help carry the song's momentum:



Even if you turn your nose up at Wintersleep's change of direction over the past few years, you can't fault their creativity; by the fifth album, many bands have disappeared altogether or started treading water and rehashing past successes.  It's the willingness to be bold and step on a few toes in the name of evolution that make me proudest to be a fan of Wintersleep.

Tracklist:
1. Hum
2. In Came The Flood
3. Nothing Is Anything (Without You)
4. Resuscitate
5. Permanent Sigh
6. Saving Song
7. Rapture
8. Unzipper
9. Someone, Somewhere
10. Zones
11. Smoke

Hello Hum sees release on June 12.
Labels:

Comments

Post a Comment

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...
Post a Comment
Read more

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...
Post a Comment
Read more

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?
1 comment
Read more