Skip to main content

Fang Island Have The Happiest Guitars Ever

Stream Fang Island's sophomore gem Major in its entirety here courtesy of NPR.

When I have a day off from my retail job, sometimes I like to plug away at my other job writing content for websites (not this one; this is the hobby aside from my job and my side job, or my side job hobby). Naturally, I need background music to keep the creative juices flowing, and every once in a while I'll throw caution to the wind and give something I've never heard of a spin.

Because of this haphazard, careless approach to streaming music, I give you Fang Island, whose second album Major is out in just over a week.

There's something distinctly different about Fang Island's wall of noise; it's a truly joyous noise, celebratory without being pompous.  It's like Andrew W.K. with more interesting subject matter and an unhealthy obsession with Slade and Supertramp.

I'm going to stop trying to explain this and just say that it's extremely rare to come across music that gives you the freedom to bang your head to, groove the night away to or party your ass off to.  Major does all of that with a smile.

If you don't feel like taking in the whole album, your loss.  But here's a couple of tracks anyway:





Major is out July 24 via Sargent House.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Headstones Are Getting It Right. And By "It", I Mean "Everything".

When Headstones announced they were finally getting together for a new record (a decade since they'd released one, as the band drifted apart and Hugh Dillon's acting career began to pay dividends), they did so by letting their fans get in on the ground floor. Headstones got self-promotion right. They started accepting pledges toward the funding of the new record on October 19th at their official Pledge Music site , with pledge items ranging from $10 (digital download of album) and $5,000 (a private Headstones unplugged show for you and your friends). Within a day, they'd reached 90% of their goal; as of this writing, they sit at 283% reached. Headstones got funding right. With a planned release date of March 26 looming, something happened. They messed around and got a record deal after a subsidiary of Universal Music (who had originally signed the band back in '92) loved what they heard, and wanted to release it worldwide. The logistics of these things tend to...