Skip to main content

New Singles Abound! The Dog Days Are Over, And Florence Has Nothing To Do With It


Well, that was nice, wasn't it? Late July to early August usually signify the "dog days" of summer, and the music industry suffers from them with the rest of us. Now, though, it's time to start hyping up the fall release schedule, which is filling up fast. Buckle in, kids; business, as they say, is about to pick up.


One of the most anticipated hard rock releases of the fall must be the fourth album by Slipknot frontman Corey Taylor's original band Stone Sour. Never one to shy away from ambition, House Of Gold & Bones is a two-part album (is there a theme developing here?), with Part 1 coming in October and Part 2 coming next spring. After weeks of cryptic clues and frustratingly short song snippets, not one but two full songs were unveiled today, and neither Gone Sovereign nor Absolute Zero sound like they're going for another Say You'll Haunt Me. You're going to need lots of volume for this:



House of Gold & Bones Part 1 is out October 23 on Roadrunner.

Having already released their self-proclaimed stab at power pop in the form of Oh Love as lead single, Green Day seem to be on some kind of mad mission to oversaturate the market; a second single has arrived in the form of the head scratching, Franz Ferdinand with Tourette's dance-rock tantrum  Kill The DJ. When you consider that ¡Uno! is still six weeks away, and that ¡Uno! is only seven weeks away from ¡Dos! (the second of their planned three albums over the span of just eighteen weeks), we're looking at an estimated 936 new singles between now and the end of the week.

I will give a small measure of restrained credit for this, though; Kill The DJ is an embarrassment, but at least they're not afraid to try something new, even if it's a failure of massive proportions. Hell, they've got the balls to take a failure of massive proportions and release it as a fucking single.



¡Uno! is out September 25 via Warner Bros., and you can bet by then I'll have memorized the Windows alt code for the upside-down exclamation mark.

Up next is the first taste of Bad Books' second album, appropriately titled Bad Books II. A side project of Manchester Orchestra mainman Andy Hull and singer/songwriter extraordinaire Kevin Devine, Bad Books is a sunnier, far less melancholy affair than we're used to with Manchester Orchestra, as evidenced by Forest Whitaker. Aside from being awesomely titled, the track sees the pair in playful form, throwing a dirty break beat underneath a bright and non-threatening melody.



Bad Books II comes out October 9 on Triple Crown Records.

Finally we have a little Canadian content courtesy of Three Days Grace, who have a new album coming soon as well. Fans of the band are talking about the bold new direction the band is taking with lead single Chalk Outline, so I gave this one a chance. Suffice it to say, if rehashing formulaic hard rock and throwing electronics on it constitutes a bold new direction, Three Days Grace is a brand new band!

Just take it for what it is; a generic radio rock song dressed up with a splash of industrial as a subtle admission of fear, a plea to the increasingly electro-leaning alternative rock programmers not to leave them behind. Is it an awful song? I wouldn't say that. Is it a risky endeavor to be commended? Nope; what Green Day just released takes balls. What Three Days Grace just released takes a laptop.



Transit Of Venus (the cover for which seems to be intent on tricking Cage The Elephant fans into buying a Three Days Grace record) sees release October 2 courtesy RCA.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2013 Nominee: Arctic Monkeys

ARCTIC MONKEYS Do I Wanna Know? From: AM Released: September 10 That Year in Rock 2012's Single of the Year R U Mine? ended up on this album is pleasing, and it fits the motif well enough. But R U Mine? isn't what makes Arctic Monkeys' fifth album an Album of the Year contender. Sweaty, sultry and pulsing with sexual energy, AM is the kind of record that's just as effective whether you're chilling out after a long day, staring into a mirror prepping yourself for a late night clubbing session or setting the mood for some escapades in the boudoir.

Year in Rock 2023: Album of the Year #10-1

Now we're getting somewhere; the top ten, where there are no duds or mids, only bangers. Also, no more teasing it out; let's wrap this up!  What I've learned this year from my ten faves this year is that it is indeed still possible for a dude approaching his fifties to more or less stay up to date on the new school. Of course, there are some listed here that got a boost from playing tribute to the old school, but there is an undercurrent happening in rock that points to the future. But, I'm getting ahead of myself; here come the champs. 10 MILITARIE GUN Life Under the Gun June 23, 2023 • Loma Vista Highlights Very High Will Logic Never Fucked Up Once Rising from the ranks of the still-potent L.A. hardcore scene, the debut record from Militarie Gun (following a trio of EPs) bears a dash of polish that's expected with backing from a larger label; the tension and energy remain, though, resulting in one of the catchiest hardcore albums I can think of in recent years. 9 ...