Skip to main content

IN REVIEW: The Hold Steady - "Teeth Dreams"


"Certain songs, they get scratched into our souls", Craig Finn sang on his band's debut album just over a decade ago. In the time that's passed, they've slowly transformed from scrappy bar rock bards to earnest arena rock storytellers. Nowhere was this more clear than on The Hold Steady's previous album, 2010's Heaven Is Whenever; packed with ballads and light on the energy that flowed through their first trio of records, that album put the focus squarely on the craft.

With Teeth Dreams, The Hold Steady attempt to get back to the rollicking party rock that enamored so many to them in the first place. New guitarist Steve Selvidge is all over the record, layering on thick licks and hard riffs depending on what the situation calls for. They've also turned to acclaimed rock producer Nick Raskulinecz, whose previous work includes Deftones, Alice in Chains and Foo Fighters. To be sure, then, this is a rock record.

The thing is, it's a heavily produced, polished rock album; nothing is out of place, every note exactly where it should be. Especially noticeable are Finn's vocals; previously unhinged and erratic, here soaked in reverb and treated as just another instrument, never rising too high in the mix. It's all executed with perfection, making this easily The Hold Steady's best album from a purely technical standpoint.

However, with all those ragged edges sanded off, all the warts and wrinkles buried under skin cream, the songs lose most of their intended impact. Even album closer Oaks, a nine-minute far reaching ballad replete with dueling guitar solos, failed to truly grab me. In fact, none of the ten really stood out; they're all good songs, but after listening to Teeth Dreams I can't say definitively which songs are better or worse than others on the album. They exist to keep you company, to give you something to do for 45 minutes. As pleasant and inoffensive as Teeth Dreams is, there's just nothing here that scratches into my soul.

March 25, 2014 • Washington Square/Razor & Tie
Highlights I Hope This Whole Things Didn't Frighten You • Spinners • Oaks

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...