Skip to main content

IN REVIEW: Screaming Females - "Rose Mountain"


Having spent most of the past decade toiling in relative anonymity and slowly building a reputation as a band to watch, Screaming Females started to make inroads with 2012's Ugly (which benefited from recording by Steve Albini). Three years later, they return with the massive Rose Mountain, an album that sees the trio dial back some of their noisier tendencies in favour of natural intensity. It's no bid for superstardom, but Rose Mountain should get Screaming Females some well-deserved exposure, especially in the immediate aftermath of last month's explosive new Sleater-Kinney record. 

There are common threads to be traced through Rose Mountain, which is only fair considering S-K's status in the pantheon of alt rock. That's not to call the band or album derivative, as Rose Mountain is an incredibly strong record on its own merits; hooks are sharp, riffs are formidable, lyrics are smart. It all adds up to an incredibly enjoyable record, another early-year behemoth that you should be hearing a lot more of as critics and fans alike are compiling their best-of lists at year's end.

February 24, 2015 • Don Giovanni
Highlights Empty Head • Wishing Well • Hopeless

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?