Skip to main content

IN REVIEW: The Mountain Goats - "Beat the Champ"



As far as album concepts go, there have been some far fetched ones that resulted in great records. Take Mastodon's Leviathan, a prog-metal powerhouse loosely based on Moby Dick, for instance; it shouldn't have been fantastic, but it is. Like Leviathan, affinity for the subject matter isn't essential for enjoyment, but having a working knowledge of pro wrestling (especially of the vintage southwest U.S. variety) certainly helps when listening to Beat the Champ. Especially gripping is The Legend of Chavo Guerrero ("the middleweight champ of all Mexico"), an autobiographical account of Guerrero's in-ring exploits as they related to a young John Darnielle watching on the edge of his seat from home. It's genuine, affectionate and inspired. There are several songs seen from the wrestlers' point of view; Foreign Object is particularly amusing, as the song's protagonist plans out his dastardly deeds with glee. Choked Out is swift and fiery, boasting some perfectly boastful lyrics (example: "Everybody's got their limits / Nobody's found mine"). There is intensity (Werewolf Gimmick), heartbreak (Stabbed to Death Outside San Juan, referencing the true tragic story of Bruiser Brody), and despair (Unmasked!) throughout, the sad and lonesome echoes of former heroes. A late album highlight is The Ballad of Bull Ramos, in which the titular character looks back on his life in the ring as an old man.

Musically, Beat the Champ spends the bulk of its time in murky, mid-tempo folk rock; instrumentation remains tasteful and often understated except where a well-timed boost of energy is called for. As the Mountain Goats' fifteenth(!) official album, Beat the Champ sees Darnielle and his bandmates well in control of how they want the songs to sound, and they seldom make the wrong sonic decision. Overall, while it isn't likely to soundtrack any WWE pay per views anytime soon, Beat the Champ excels in its nostalgia of a time when the ring offered a purer form of escape for fans and combatants alike.

April 7, 2015 • Merge
Highlights The Legend of Chavo Guerrero • Foreign Object • The Ballad of Bull Ramos

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...