Skip to main content

Year in Rock 2015 Coming Soon

Song of the Year Nominees
November 2 - 30

New Artist, Solo, Comeback, Canadian, Heavy Nominees
December 7

Album of the Year Nominees
December 14

Awards Announcements
December 21

As the weather turns cooler and the clocks get set to go back, thoughts of the dreaded winter to come start to materialize. Well, that, and Year in Rock.

As an annual rundown of what happened in rock music, Year in Rock is one of my proudest traditions. From its initial inception as a double CD compilation I'd make for my friends to its current incarnation on this blog, Year in Rock has been my way of recapping rock's history, one year at a time, since 2000. Over the past fifteen years a lot of trends have come and gone, so many bands have formed and run their course, and the state of the music business itself has changed in dramatic ways. Likewise, the way I present Year in Rock has changed; from a kickass mix CD to painstakingly writing out the recaps here, Year in Rock hasn't ever really had a solid formula for how it's supposed to work.

Last year, I made major changes by moving away from the 40-50 song compendium and instead went for more of a basic "awards show" premise. It was certainly a lot easier, but not as much fun, so I knew I wanted to make adjustments for 2015. Before I really had a chance to suss it all out, a monkey wrench was thrown into my plans when Baroness announced the release of their fourth album exactly one week before Christmas. It's not a common practice, and sort of a dick move toward folks like me, who like to have the whole "year in review" well figured out by the time December 18th rolls around (tellingly, last year I announced all of my awards on the 18th). It wouldn't be such an issue for me, except their previous record was 2012's runner-up, and there is a chance they could win (for the record, I'm aware Cage the Elephant is releasing a record on the same day, but my hopes aren't high for them winning).

So, rather than disqualify them for being too late for 2015 (and, unfairly, also by technicality disqualifying them from awards in 2016), I've decided to announce the Album of the Year nominees on December 14th (because surely there will be an advance stream), and hand out the awards on the 21st. Seems only fair to me, and if I'm later in crowning a champ than all of the other blogs so be it.

Which leaves the rest of the categories. I don't see a reason to eliminate the other categories I introduced last year (save for the Video of the Year; I simply haven't cared much about the medium this year). That said, nominations will be made on December 7th for five categories: New Artist of the Year, Solo Recording of the Year, Comeback Recording of the Year, Canadian Recording of the Year and Heavy Recording of the Year. Like last year, there will be five nominees in each category.

As for Song of the Year, that's always been the most tedious category of all, especially in more recent years when I'd attempt to post a nominee every day from early November well into December. This year, that changes... sort of. Last year, by nominating only five songs for the award, I got to forego daily posts but allowed a lot of great songs to go unnoticed. I didn't like that, so for 2015 I'm going back to the broad, sweeping recap that highlights 50 nominees. Like previous years, they'll be presented in chronological order, rather than a countdown. However, unlike previous years, I won't be spamming the blog with daily updates because I don't want that and neither do you. Instead, I'll be presenting them in groups of ten for five consecutive Mondays, beginning on November 2nd. That way, I have no fear of missing a day and you don't have to worry about what day the posts go up because, if you noticed the spacing of all the nominees and awards, each and every post goes up on Monday.

You don't need it broken down, but your eyes might have begun to glaze over from all my jibber jabber, so have this handy schedule:

Monday, November 2: Song of the Year Nominees 1-10
Monday, November 9: Song of the Year Nominees 11-20
Monday, November 16: Song of the Year Nominees 21-30
Monday, November 23: Song of the Year Nominees 31-40
Monday, November 30: Song of the Year Nominees 41-50
Monday, December 7: New Artist/Solo/Comeback/Canadian/Heavy Recording of the Year Nominees
Monday, December 14: Album of the Year Nominees
Monday, December 21: All award winners announced
Monday, December 28: Year in Rock 2016 Preview

So, there it is: nine weeks of (hopefully) top notch Year in Rock content, posted for your entertainment every Monday at 9:00 AM (Atlantic Standard Time). I can't wait to bring it to you!

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...