Skip to main content

IN REVIEW: Dan Auerbach - "Waiting on a Song"


A lot has happened for Dan Auerbach since the release of his last solo record in 2009; his main gig, The Black Keys, went from scrappy underground garage rockers to world-dominating force of nature, he got into a bit of a nasty beef with Jack White, and he dabbled in a number of side projects (most notably the hip hop project Blakroc and a psych/R&B flavored record with The Arcs, which originated as an Auerbach solo record). So, in a sense, it doesn't feel like it's been over eight years since Keep It Hid, and yet here we are.

What makes Waiting On a Song such a notable addition to Auerbach's resumé is its consistency; while much of his recent discography comes off somewhat scattershot in its approach, Waiting On a Song is firmly footed in '70s AM radio nostalgia. Sure, Auerbach has basically built a career on retro, but this record seems focused on a particular feeling. It's a sunny, soulful record full of catchy tunes, a top-down summer day driving soundtrack that not only never strays into the darkness that recent efforts have, it barely knows what darkness is. Even the dusk-colored ode to loneliness King of a One Horse Town finds Auerbach slipping in a stray "woo!"; so as to say, even its bleakest moment smacks of bliss.

As joyful blasts of classic pop like Shine On Me or the title track convey, Auerbach is happier and more laid back on this record than he has sounded in years. Perhaps a look at the guest list can shed some light on this; heavy hitters of yesteryear like John Prine, Duane Eddy and Mark Knopfler make appearances here, and one can't help but get the feeling Auerbach is living out a dream by working with his heroes. Add up all of the legends Auerbach plays homage to with his music and you've got a solo album that sounds like it was made by an all-star supergroup.

It's also a very concise record that's virtually free of filler; with 10 quick tunes and 32 minutes total run time, it's the shortest record he's made to date. This, combined with the consistency of the tunes, makes for a nice and easy listen with high replay value. It's not perfect, and at the end of the day it's probably not the best record he's been involved with (I'm still very partial to Rubber Factory, The Black Keys' third album), but it very well could be his most enjoyable.

June 2, 2017 • Easy Eye Sound
Highlights Waiting On a Song • King of a One Horse Town • Stand By My Girl

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Year in Rock 2023: Album of the Year #10-1

Now we're getting somewhere; the top ten, where there are no duds or mids, only bangers. Also, no more teasing it out; let's wrap this up!  What I've learned this year from my ten faves this year is that it is indeed still possible for a dude approaching his fifties to more or less stay up to date on the new school. Of course, there are some listed here that got a boost from playing tribute to the old school, but there is an undercurrent happening in rock that points to the future. But, I'm getting ahead of myself; here come the champs. 10 MILITARIE GUN Life Under the Gun June 23, 2023 • Loma Vista Highlights Very High Will Logic Never Fucked Up Once Rising from the ranks of the still-potent L.A. hardcore scene, the debut record from Militarie Gun (following a trio of EPs) bears a dash of polish that's expected with backing from a larger label; the tension and energy remain, though, resulting in one of the catchiest hardcore albums I can think of in recent years. 9 ...