IN REVIEW: "Play Dead" by Mutemath
There aren't many places Play Dead won't go, from the '80s funk-soaked tones of Break the Fever and Everything's New to the dark and sinister rocker War. It all seems to come together on penultimate track Achilles Heel, a subwoofer-tickling hip-hop beat that gets layer upon layer of sonic trickery heaped on top of it until it explodes into a cacophony of noisy melodies; this track is also a reminder of the group's not-so-secret weapon, drummer Darren King, who sadly left the band after the recording of Play Dead. As Achilles Heel's busy beats signal, a drum machine accompanied by an accomplished programmer may be the only suitable replacement for King's often inhuman drumming.
All told, Play Dead is all the more notable when compared to Mutemath's angular rock beginnings; there's precious little semblance of the band's debut to be heard here, and that would be a more damning indictment of the band if they hadn't evolved into something far more interesting than just another crew of indie rock also-rans. The future of Mutemath is nearly impossible to predict in terms of both their personnel and their sound; whatever transpires, Play Dead makes a case for Mutemath being one of the decade's most intriguing bands.
September 8, 2017 • Wojtek Records
Highlights Hit Parade • Stroll On • Achilles Heel
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