Skip to main content

IN REVIEW: Shinedown - "Attention Attention"


When they arrived on the scene fifteen years ago, Shinedown found themselves already on the wrong side of history; a couple of years removed from the nu-metal and post-grunge heyday of bands like Staind and (welp) Nickelback, the band's debut album was considered standard rock radio fare upon its release and, a couple of moderately successful singles notwithstanding, Leave a Whisper didn't necessarily bode well for long-term relevance or viability of continued success. The thing is, they stuck around long enough (and, more importantly, fed radio enough hits) to buck the odds that were stacked against them; by the time their third album (2008's The Sound of Madness, considered by most fans as their best) ran its promotional course, they'd amassed a handful of formidable singles and built up a devoted fan base. Still, it proved to be a difficult status to maintain, and the band's following pair of albums (2012's Amaryllis and 2015's Threat to Survival) saw sharp declines in intensity, quality and, in turn, success.

It makes sense, then, that Shinedown would look to reclaim some of their previous rock glory on their sixth album; as such, Attention Attention is their fiercest and heaviest batch of songs in a decade. To be clear, it also packs plenty of the pop sensibilities (read: catchy choruses and some studio sheen) that slowly but surely worked their way into the band's sound early on, but this time out those big hooks are wrapped in harder music; to wit, lead single Devil has pianos, vocal effects and a little studio trickery, but it also has punishing riffs. Black Soul, meanwhile, might be as good a microcosm of the album as there is, a marriage of the accessible and the abrasive that's pulled off masterfully.

Whereas previous albums would take frequent detours into slower and/or more emotional territory, Attention Attention maintains its bite for the majority of its 50 minutes, with only a couple of true ballads; the focus seems to be on keeping the energy up and the hooks coming. Even the album's least enduring moments have a modicum of earworm-inducing quality, like the melodic chorus found on the otherwise pedestrian title track or the undeniable catchiness of assured future radio smash Get Up, the album's most blatant hit-seeking moment.

There's nothing shockingly different to be heard here, and the album's greatest crime turns out to be its run time; Attention Attention doesn't do the greatest job of (ahem) holding attention all the way through, and cutting a couple of the 14 tracks that veer toward the mediocre/repetitive would have made the album leaner and meaner. Regardless, we're talking a handful of minor missteps across an album that's overall full of promise for both longtime fans (who are looking for a return to their rocking roots) and their record label (who's looking for hits). It's a delicate balancing act that doesn't often work as well as it does here and, if nothing else, we're still talking about Shinedown in 2018; considering their tenuous start and their spotty recent output, what better measurement of success is there?

May 4, 2018 • Atlantic
Highlights Devil • Kill Your Conscience • Pyro

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2013 Nominee: Arctic Monkeys

ARCTIC MONKEYS Do I Wanna Know? From: AM Released: September 10 That Year in Rock 2012's Single of the Year R U Mine? ended up on this album is pleasing, and it fits the motif well enough. But R U Mine? isn't what makes Arctic Monkeys' fifth album an Album of the Year contender. Sweaty, sultry and pulsing with sexual energy, AM is the kind of record that's just as effective whether you're chilling out after a long day, staring into a mirror prepping yourself for a late night clubbing session or setting the mood for some escapades in the boudoir.

Year in Rock 2023: Album of the Year #10-1

Now we're getting somewhere; the top ten, where there are no duds or mids, only bangers. Also, no more teasing it out; let's wrap this up!  What I've learned this year from my ten faves this year is that it is indeed still possible for a dude approaching his fifties to more or less stay up to date on the new school. Of course, there are some listed here that got a boost from playing tribute to the old school, but there is an undercurrent happening in rock that points to the future. But, I'm getting ahead of myself; here come the champs. 10 MILITARIE GUN Life Under the Gun June 23, 2023 • Loma Vista Highlights Very High Will Logic Never Fucked Up Once Rising from the ranks of the still-potent L.A. hardcore scene, the debut record from Militarie Gun (following a trio of EPs) bears a dash of polish that's expected with backing from a larger label; the tension and energy remain, though, resulting in one of the catchiest hardcore albums I can think of in recent years. 9 ...