Skip to main content

IN REVIEW: Ghost - "Prequelle"


As heavy bands who are pigeonholed by the metal community are often wont to do, Ghost has spent the last handful of years putting some distance between their sound and the preconceived notions to what onlookers think they should sound like. Though their campy, Satanic shtick has remained intact, the band's songs have begun to steer toward greater ambitions.

With their fourth record, Ghost's sound and image get yet another overhaul, and they take another giant leap in terms of accessibility. There are heavy moments, to be sure; Faith packs a melodic lead lick and a chugging rhythm that will satisfy headbangers, while lead single Rats brings a suitably metallic riff (and a thrillingly guttural closing). What you'll notice above all else while listening to Prequelle, though, are its hooks; nearly every song on this record boasts a chorus that reaches for the rafters. Some songs, like the deliciously appealing Dance Macabre, find Ghost operating at peak commercial and/or stadium efficiency.

There are also grand, cinematic moments, especially in its closing moments; the six-minute instrumental Helvetesfönster could accompany an episode of Game of Thrones, while closing ballad Life Eternal plays out like the love song from a very cool vampire flick. These flourishes appear throughout the album though, giving it a bombastic, theatrical feel.

If I could be permitted one gripe about Prequelle, it's that there's a slightness to it in that its pair of instrumentals and intro take up 30% of both the track list and the album's overall run time. There's nothing wrong with breaking up the momentum with a showcase of musicianship but, on an album packed with so many huge, singable songs, getting only seven songs proper makes it come up just a bit short.

Still, there's no denying these songs, many of which strike a near perfect balance between the heavy and melodic; it's been a hot minute since we got a true breakout record from a metal band (I'm thinking Mastodon were perhaps the last to do it) but, with so much stage presence and so many prime crowd pleasers, it feels like Ghost has the best shot of anyone in metal to do just that in 2018.

June 1, 2018 • Loma Vista
Highlights Rats • See the Light • Dance Macabre

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Headstones Are Getting It Right. And By "It", I Mean "Everything".

When Headstones announced they were finally getting together for a new record (a decade since they'd released one, as the band drifted apart and Hugh Dillon's acting career began to pay dividends), they did so by letting their fans get in on the ground floor. Headstones got self-promotion right. They started accepting pledges toward the funding of the new record on October 19th at their official Pledge Music site , with pledge items ranging from $10 (digital download of album) and $5,000 (a private Headstones unplugged show for you and your friends). Within a day, they'd reached 90% of their goal; as of this writing, they sit at 283% reached. Headstones got funding right. With a planned release date of March 26 looming, something happened. They messed around and got a record deal after a subsidiary of Universal Music (who had originally signed the band back in '92) loved what they heard, and wanted to release it worldwide. The logistics of these things tend to...