Skip to main content

IN REVIEW: Daron Malakian and Scars on Broadway - "Dictator"


As the story goes, Daron Malakian recorded the songs that would eventually become Dictator way back in 2012, but hung onto them in hopes that some of them would end up appearing on the new System of a Down record that fans have been clamoring for since 2005. However, the status of that album is now more in doubt than ever, so Malakian decided to release these recordings under his Scars on Broadway moniker.

As a Scars album, Dictator is far superior to the mostly forgettable self-titled debut that dropped a decade ago; there are less absurdly silly and/or druggy moments, and more fully formed songs. You can easily tell that Malakian was taking things more seriously here and, more to the point, you can tell that most of the songs were written with System in mind. Throughout, one gets the sense that all that's really missing is the presence of Serj Tankian's unmistakable vocals.

With a little input from his fellow band members, Dictator could have served as a suitable enough follow-up to Mezmerize; as is, it's a good record, albeit one that unwittingly reminds long-suffering System fans that they could have had it so much better.

July 20, 2018 • Scarred for Life
Highlights Lives • Fuck and Kill • Guns are Loaded

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...