Skip to main content

IN REVIEW: Wintersleep - "In the Land of"


Over the course of their first six albums, Wintersleep have risen from earnest Maritime upstarts to become one of Canada's most dependable bands and somewhat of a revered export, earning a growing following in the U.S. and Europe. That they've done so without surrendering their identity or steering their core sound into the mainstream is a minor miracle in these modern times where bands are encouraged to bend to the will of taste makers and corporate interests.

Their seventh record firmly upholds their status as one of the nation's most exploratory and consistent bands; In the Land of finds them not only stretching their sound toward experimental new territory, but also taking the time to reflect on their roots. Forest Fire, for example, lilts along a pleasant piano-led melody while employing multi-tracked vocals and lush harmonies, making for one of the band's most beautiful songs. The Lighthouse, meanwhile, is both a lyrical and musical throwback to some of Wintersleep's scrappiest early material.

Where In the Land of becomes truly thrilling is on a trio of tunes that push the band's boundaries. Lead single Beneficiary uses skittering electronic percussion and a thick groove to hook the listener, which is very tricky considering the song's subject matter (it addresses our past and current mistreatment of indigenous peoples). Into the Shape of Your Heart rides a lazy, summery groove through its love struck tale of diving into a relationship, and it's one of the album's most immediate and emotionally powerful moments. Then, there's Never Let You Go, a song which employs a similar bait-and-switch to Beneficiary in that it tucks its environmentally conscious message inside one of the jauntiest, upbeat singalongs they've ever penned.

The only thing that really brings In the Land of down a notch for me is its silly, overdrawn closing track Free Pour, which paints the band as some kind of kitschy electro-lounge act and features a rather flat, one-note delivery that stretches itself beyond the five minute mark. It's not the most egregious failed experiment ever put to wax but, as an album closer it ends things on a decidedly sour note. That spot would have been better utilized by Free Fall, a fiery and experimental track that was left off the album but sounds more akin to the motif of the album.

All in all, though, In the Land of is yet another in a long line of winning albums by a band that, even though they seem to get more praise, success and respect with each passing record, deserves so much more than they ever seem to get.

March 29, 2019 • Dine Alone
Highlights Beneficiary • Into the Shape of Your Heart • Never Let You Go

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2016: Solo Artist Nominees

Artists who stand alone, who put their name on their album jackets and assume full responsibility for the art they give to the world, exhibit a kind of bravery that I've always admired. It takes courage to stand on that proverbial stage in solitude; this year's nominees faced varying degrees of challenges, but they all shared the desire to stare down the criticisms and expectations of every other individual they shared the air with and exclaim, "Don't worry. I've got this." Your Year in Rock 2016 nominees for Solo Artist Recording of the Year are:

Year in Rock 2024

  So, how weird is it to post a Year in Rock 2024 write-up a year late? Honestly, this is just for posterity; with a post to wrap up 2025 possibly posted by the time you see this, I couldn't stand the gap that would otherwise be present. I'll have more to say, but will wait until the Year in Rock 2025 post to say it. Instead, I'll just dive right in with the list. This will be the least exciting Year in Rock post you've ever seen.   25. The Smashing Pumpkins - "Aghori Mhori Mei" 24.  Japandroids - "Fate & Alcohol" 23. Pearl Jam - "Dark Matter" 22. Cheekface - "It's Sorted" 21. Kim Gordon - "The Collective" 20. High Vis - "Guided Tour" 19. Acid Mammoth - "Supersonic Megafauna Collision" 18. Microwave - "Let's Start Degeneracy" 17. IDLES - "TANGK" 16. Jerry Cantrell - "I Want Blood" 15. Chat Pile - "Cool World" 14. King Gizzard & The Lizard Wizard ...