Skip to main content

IN REVIEW: Gulfer - S/T

 
A self-titled record implies either an arrival or a reinvention; for a new band, it usually serves as an introduction, and signifies that this is the logical point of entry to the band's discography. For an established band, a self-titled record often carries somewhat of an ugly stigma, as the reinvention it's meant to convey has historically accompanied a type of creative bankruptcy more often than not. As an example, let's consider self-titled releases from Pearl Jam and Stone Temple Pilots for starters; no one's out here championing those records as their respective bands' high water marks.

The case of Gulfer is rather unique in this circumstance; while their relatively fringe status ensures that a majority would have their first exposure to the band through their new self-titled record, in reality they've been doing this for nearly a decade and released an EP, a pair of records, several split releases and a compilation of early works in addition to slowly building word of mouth through their live shows (which resulted in a live album) before this album's existence. Their previous record, 2018's Dog Bless, got its most notable coverage through Pitchfork, confirming their status as a band to watch.

So, is their third album a reinvention or an introduction? Neither, really; the emo/math rock core they've made their calling card (thanks in large part to the finger-tapping riffs of Joe Therriault) is still very much intact, and they don't typically steer their sound into territory they haven't already covered. Rather, the growth is in the subject matter, shifting from the youthful anxiety that permeates much of emo and its recent revival to the tribulations they now face as adults. This isn't your typical hand-wringing over teenage heartbreak.

Other bands have excelled at this transition, of course, but there's something about Gulfer's re-entry that strikes a sweet spot. Musically exciting and lyrically mature, this record crackles with a tension and a playfulness that sets Gulfer apart from some of their contemporaries. It's emotional but not overbearing, challenging but not difficult and, perhaps most importantly, an excellent place to start with this thrilling and still relatively young band that's unquestionably come into their own.

October 16, 2020 • Royal Mountain
Highlights Nature Kids • Heat Wave • Letters

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2016: Solo Artist Nominees

Artists who stand alone, who put their name on their album jackets and assume full responsibility for the art they give to the world, exhibit a kind of bravery that I've always admired. It takes courage to stand on that proverbial stage in solitude; this year's nominees faced varying degrees of challenges, but they all shared the desire to stare down the criticisms and expectations of every other individual they shared the air with and exclaim, "Don't worry. I've got this." Your Year in Rock 2016 nominees for Solo Artist Recording of the Year are:

Year in Rock 2024

  So, how weird is it to post a Year in Rock 2024 write-up a year late? Honestly, this is just for posterity; with a post to wrap up 2025 possibly posted by the time you see this, I couldn't stand the gap that would otherwise be present. I'll have more to say, but will wait until the Year in Rock 2025 post to say it. Instead, I'll just dive right in with the list. This will be the least exciting Year in Rock post you've ever seen.   25. The Smashing Pumpkins - "Aghori Mhori Mei" 24.  Japandroids - "Fate & Alcohol" 23. Pearl Jam - "Dark Matter" 22. Cheekface - "It's Sorted" 21. Kim Gordon - "The Collective" 20. High Vis - "Guided Tour" 19. Acid Mammoth - "Supersonic Megafauna Collision" 18. Microwave - "Let's Start Degeneracy" 17. IDLES - "TANGK" 16. Jerry Cantrell - "I Want Blood" 15. Chat Pile - "Cool World" 14. King Gizzard & The Lizard Wizard ...