Skip to main content

IN REVIEW: The Chats - "Get Fucked"

 

On The Chats' excellent standalone single AC/DC CD in late 2020, Eamon Sandwith declared their fellow countrymen "the second greatest band in history (and we are first!)"; perhaps it's not surprising, then, that the Aussie punks' second LP takes a page from the AC/DC handbook and falls right in line with what the same basic ingredients they've been using since their inception in 2016. The only noticeable change is in the line-up; Josh Price is replaced by Josh Hardy on guitar, resulting in an overall tone that's a little tougher and riff-oriented.

Otherwise, the band (rounded out by drummer Matt Boggis) are in typical form on Get Fucked; recorded in six short days, the fourteen tracks here (there's a hidden track following Getting Better) represent another batch of fun, loose numbers that barrel ahead at considerable speed and once again focus on the trappings of everyday life. You won't find any deep musings here, nor any convoluted prose. Take highlight Struck By Lightning, which uses a highly energetic performance (punctuated by some top notch doo-wops) to tell the story of the song's protagonist being struck by lightning. Or Ticket Inspector, which scolds the power-hungry authority of the guy whose job it is to verify train tickets (amusingly, from the inspector's point of view). Then there's The Price of Smokes, which could be addressing post-pandemic inflation through the lens of the price of cigarettes, or it could be simply lamenting the rising cost of the consumer/narrator. 

These little slices of life are The Chats' bread and butter, and speak to punks both young and young at heart; who hasn't felt the panic of wanting to tie one on but being held back by a payroll delay, as in Paid Late? Or had that anxiety manifest in a panic attack, as it does on Panic Attack? Who isn't proud of their local pub scene, as Sandwith goes through the list on I've Been Drunk in Every Pub in Brisbane?

Suffice to say, there's no need of a long, drawn out review of Get Fucked, as if you've heard The Chats before you practically know what you're getting; fast, loud, loose and fun, this record is exactly what you've come to expect from The Chats, for better or worse. Personally, I appreciate this record as a palette cleanser, an escape from all the self-important, overblown and overthought music I typically subject myself to, even as I admit that staying in the same place for too long isn't likely to do your career any favours long term. Unless you're AC/DC, of course.

August 19, 2022 • Bargain Bin
Highlights Struck By Lightning • Panic Attack • The Price of Smokes

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...