Year in Rock 2012 Nominee: Coheed & Cambria

COHEED AND CAMBRIA

Key Entity Extraction I: Domino The Destitute

From: The Afterman: Ascension

Released: October 9

When it comes to concept albums, it's hard to come close to Coheed And Cambria. After all, they didn't stop at just one album; Their Armory Wars Saga, which began on their very first album and supposedly ended with 2010's Year Of The Black Rainbow, continued in the form of side-story Afterman this year. Of course, just another album wouldn't do, so instead we got the first half of the story with the second half to follow in February. The good news for fans of the band is that they've somewhat reached back to their prog roots on this album; look no further than the eight-minute juggernaut Domino The Destitute for proof. The rest of the album doesn't exactly compare to that level of greatness, but it's pretty solid all the way through, which has me excited to see how this tale ends. It sucks we have to wait for it but, as has been the case since the band's inception, patience is not optional.

Comments

Year in Rock 2025

Alright, I've got some explaining to do. By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but: a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?

SOUND BITES

Search This Blog