Skip to main content

Festival 506: Highlights From Fredericton

As New Brunswick's capital city, it's no surprise that Fredericton is well represented from a provincial standpoint artistically. As an artistic hub of sorts, there's no shortage of inspiration to be drawn from the central New Brunswick city.

I've been privy to many shows in the area (admittedly not so many in recent years, though); I used to travel there quite often with one of my hometown bands and, on one fateful night at the Chestnut, the band in question let me handle vocals on their version of Pantera's Walk. So, naturally, I forgot the words. They let me redeem myself at a later date, but butchering that song is my clearest, most dubious musical memory of Fredericton.

Thankfully, there's nothing dubious about the following four artists from Fredericton, who will be appearing this weekend as part of Festival 506 in Miramichi:



JACLYN REINHART
Pop N' Country Stage
Mill Cove Coffee, Friday @ 8pm

Five years removed from her debut EP, Jaclyn Reinhart's new album Adventures (released in May) is bombastic and electric, conjuring memories of strong female artists of the '90s like Liz Phair and Veruca Salt, with some modern sheen added for good measure.






THE OLYMPIC SYMPHONIUM
Pop N' Rock Stage
Kin Centre, Friday @ 9:30pm

Celebrating a decade as a group, The Olympic Symphonium are presumably working on the follow-up to 2014's Chance to Fate, a record which won the award for Anglophone Recording of the Year at the Music NB Awards two years ago. If the clip below is any indication, the new songs are everything we've come to expect; lush, majestic, borderline hypnotic.





DAVID IN THE DARK
Snap, Crackle & Rock Stage
The Goodie Shop, Friday @ 11:30pm

David in the Dark's debut LP Fire came out in May, a thick and layered indie rock record that bursts from the speakers. The level of quality on the songs and their performances sound like a band on their fourth or fifth album, not their debut. Suffice to say, David in the Dark are setting themselves up for some pretty great things, and not just in New Brunswick.






MOTHERHOOD
Snap, Crackle & Rock Stage
The Goodie Shop, Friday @ 1am

When I picked up my weekend pass for Festival 506, longtime friend and big-time local music supporter Paddy Quinn glanced over the list of acts to fill me in on the one he thought I'd most like to check out. He named Motherhood, and so in doing these posts I set out to try some of their stuff. Twenty seconds into Greed, from their latest release Baby Teeth (available on cassette!), I was reminded that Paddy Quinn knows me really, really well.




Come back tomorrow, when we take a look at some of the artists making their way to Festival 506 from Moncton.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?