Skip to main content

Festival 506: Highlights from Moncton

Known as the hub of the Maritimes, Moncton has long been home to a thriving music scene. Over the years, there have been a host of big name bands that have played there, packing concert halls and festival grounds alike. Put simply, there are a lot of chances to be inspired in Moncton.

With Festival 506 this weekend comes a slew of talent from the Moncton area and, as you'll see from the four artists listed below, it's a diverse and expansive range of styles that inspire the residents of the Maritimes' fastest growing city.

Here is a small taste of the musical talent Moncton has to offer:





EASTCOAST LOVE STORY
Snap, Crackle & Rock Stage
The Goodie Shop, Friday @ 10pm

Relative newcomers to the New Brunswick music scene, Eastcoast Love Story released their first EP last summer. Using folk rock as a base, the group's songs are energetic and mature. It's a fresh take on the genre that earned them the Emerging Artist of the Year award at last year's Festival 506, and has seen them travel well outside the province's borders; earlier this year, they got to play Toronto's storied Horseshoe Tavern.




FM BERLIN
Snap, Crackle & Rock Stage
The Goodie Shop, Friday @ 1am

The artists formerly known as 60 LPs have been in existence for a few years now, and have been more than willing to make the 90 minute drive to play shows in Miramichi on a consistent basis. It's been an excruciating wait for their first full-length LP, and I'm hoping they'll take the opportunity at this weekend's showcase to preview some of the new material they've been working on.





SHADES OF SORROW
Riffs & Riffraff Stage
The Goodie Shop, Saturday @ 10:45pm

With more than five years, two full-length LPs and four lead singers under their belts, Shades of Sorrow have made their mark on Moncton's metal scene. Their latest record, 2015's Ascension, saw the debut of Monise Oullette behind the mic. She's proven a great fit with the band, and the critics agree; Ascension was nominated for Loud Recording of the Year at this year's East Coast Music Awards.




THE CAULDRON PROJECT
Electro N' Hop Stage
Kin Centre, Saturday @ 11:45pm

Stogy-1 and dj godkord have been creating unique electronic-infused hip hop for a long time now, and their latest release (2015's East Infection) is a record that bears the marks of a group that's honed its chops over the years. Gleefully profane and undeniably catchy, this is music that, along with their hilarious videos, has earned them a loyal and growing following.




Tomorrow, we bring it on home, with the spotlight on artists from this year's Festival 506 host city (and my hometown), Miramichi.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...