Skip to main content

IN REVIEW: Royal Thunder - "WICK"


Two years to the day after releasing their breakthrough Crooked Doors, Royal Thunder returns with their third full-length LP (and first for Spinefarm). That previous album saw the group distancing themselves from their doom-laden roots and incorporating more psychedelic, proggy and classic rock tendencies into their sound. The tradition continues on WICK, which finds them pretty much abandoning any stereotypical metal leanings they may have held in the beginning in favour of more of an experimental hard rock approach. The thing is, listening to WICK, it's clear that this is a sound that suits them to a tee.

Vocalist/bassist Mlny Parsons is even more of a powerhouse here than on Crooked Doors, which is nearly unfathomable but absolutely true; her voice was always strong, but here she really turns in a memorable performance, and should rightly be considered one of rock's most powerful voices thanks to her work here. One listen to the emotional pummeling that is Plans tells you all you need to know about Parsons' vocal prowess and, whether she's pushing herself to the limit at the front of the mix or crooning on one of the background's tasteful layers, it's clear that her range and talent are growing.

The other musicians are growing too, and WICK strikes a strong balance over the course of its dozen songs. They ebb and flow through tempos, feelings and styles, sometimes all within the same song. It's a thrilling listen, offering surprises around every bend while staying true to the group's core aesthetic. The songwriting is sharp, the production is on point, and the performances are masterfully executed. Granted, there may not be anything quite as complete a package as previous record's Time Machine, but the quality is evenly distributed across the album; it very rarely lulls or fails to maintain its momentum.

It's difficult to tell exactly where Royal Thunder plan on going from here, but WICK feels like a career-defining benchmark for the band, and this is a band whose last album was seriously in the running for my Album of the Year award two years ago. WICK is a mesmerizing, electrifying and wholly engaging record, one that in my mind firmly cements Royal Thunder's status as one of the most exciting bands to come along this decade.

April 7, 2017 • Spinefarm
Highlights April Showers • We Slipped • Plans

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?