Skip to main content

Live Review: Danko Jones / Bucket Truck

DANKO JONES (w/ Bucket Truck)
Wednesday, September 18, 2002
The Upper Deck, Fredericton NB

Newfoundland rockers Bucket Truck took the stage at about 10:30pm, opening with the blistering headbanger "No Other Way", which kicked off a rowdy and piercing 40-minute set of metal, most of which taken from their 2001 album 'Waiting To Talk'. Most of that album was played, including highlights "Everyone's A Critic", "It's Not Unlike You", "All You Need To Know" and "Take It On The Chin". Also played was current single "Don't Call Me Judas/If It's All The Same" (spliced live, as on record, with "You Walk Behind" and "The Drama Queen"), the video for which is earning regular airplay on video channels across the country. For fun, two covers were thrown in: Motorhead's "Ace Of Spades" and Sugar Ray's "Mean Machine", both of which were kicked up a notch in this extremely energetic set. Frontman Matt Wells (correct me if I'm wrong) undoubtedly stole the show, with crudely humourous stage banter ("Can I just say... cocksucker.") and a lesson in beer-spitting. The latter caused somewhat of a state of chaos; by the time BT were into their set closer, "Take It On The Chin", everybody was spitting beer (or whatever they were drinking) on everybody else. It's all good, though. Quoth Wells: "That's fuckin' rock n' roll!"

Danko came on just after midnight, and played a suprisingly short set (under an hour) of favorites from past albums, but predictably spending the majority of the set on tunes from his latest release (and first for a major label), the ironically tame (compared to Danko's last two EPs) 'Born A Lion'. Of course, lead single "The Sound Of Love" was played, to a fair response, as was lackluster follow-up single (which I can't remember the name of). As expected, the set's highlights were had when Danko reached back into the library, pulling out favorites "Bounce", "Sugar Chocolate", "Cadillac" and "Sex Change Blues". Another highlight came in the three-song encore when Danko & co. ripped through "The Mango Kid". On the whole, though, the set was a little disappointing, partly because a couple of my faves (namely "Rock Shit Hot" and "My Love Is Bold") were not played, and partly because Mr. Jones was apparently a little apprehensive about cameras with flash bulbs, getting visibly irritated at several points of the set, often glaring at whoever dared to take a snapshot and demanding "Don't do that again!". I guess what I'm saying is, although the set of tunes was formidable, Danko just came off as a bit of a cocky asshole rock star. Not that there's anything wrong with that, but it's my belief that if you're apathetic enough to your fans as to play a set less than an hour long, and then run off without so much as saying hello to a few folks, maybe those fans won't be out to see you next time.

The Bottom Line:
Bucket Truck rocked my balls off, and stole the show right from under Danko's nose. Maybe things would have been different if Danko was a bit more accepting of his New brunswick fan base, which probably shrunk after Wednesday night.

Bucket Truck: EXCELLENT

Danko Jones: MEDIOCRE

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2013 Nominee: Arctic Monkeys

ARCTIC MONKEYS Do I Wanna Know? From: AM Released: September 10 That Year in Rock 2012's Single of the Year R U Mine? ended up on this album is pleasing, and it fits the motif well enough. But R U Mine? isn't what makes Arctic Monkeys' fifth album an Album of the Year contender. Sweaty, sultry and pulsing with sexual energy, AM is the kind of record that's just as effective whether you're chilling out after a long day, staring into a mirror prepping yourself for a late night clubbing session or setting the mood for some escapades in the boudoir.

Year in Rock 2023: Album of the Year #10-1

Now we're getting somewhere; the top ten, where there are no duds or mids, only bangers. Also, no more teasing it out; let's wrap this up!  What I've learned this year from my ten faves this year is that it is indeed still possible for a dude approaching his fifties to more or less stay up to date on the new school. Of course, there are some listed here that got a boost from playing tribute to the old school, but there is an undercurrent happening in rock that points to the future. But, I'm getting ahead of myself; here come the champs. 10 MILITARIE GUN Life Under the Gun June 23, 2023 • Loma Vista Highlights Very High Will Logic Never Fucked Up Once Rising from the ranks of the still-potent L.A. hardcore scene, the debut record from Militarie Gun (following a trio of EPs) bears a dash of polish that's expected with backing from a larger label; the tension and energy remain, though, resulting in one of the catchiest hardcore albums I can think of in recent years. 9 ...