Skip to main content

Year in Rock 2011 Nominee: The Black Keys

THE BLACK KEYS
Little Black Submarines

From: El Camino
Released: December 6

What can I say about the Black Keys that hasn't been said already?  After slumming it in clubs and putting out records on tiny labels for years, they finally saw their fan base grow to the point of a major label deal back in 2006.  It wasn't until last year, however, when they finally hit paydirt with Brothers and its massive smash single Tighten Up.  So with the release of El Camino they not only had the daunting task of following up a great record (one which I named first runner-up for Album of the Year last year), they had to follow up a very successful one.

El Camino is a fine chaser to Brothers' blues/soul punch in that it forgoes all the laid back grooves present on that record in favour of rocking out.  Foo Fighters' Wasting Light is perhaps the only other recent example of a band ditching their more emotional side, putting their foot to the floor and going for maximum rock n' roll, and it suits the Black Keys as much as it did the Foos.  It's short, upbeat, and consistently energetic.  Ironically, the only song that comes close to a ballad on the record is also far and away the best on it; Little Black Submarines' first two minutes are tender and heartfelt.  It's what happens at the halfway point that makes it so special; to put it bluntly, it kicks in and fucking destroys.  It's like Stairway to Heaven's snotty little brother, half as long but just as potent.  It's the song Plant and Page could have written in 1971 if Red Bull had existed.

In the long run, El Camino may not top Rubber Factory, the Black Keys' 2004 album of dirty blues that will undoubtedly go down as an all-time classic.  But, by putting the pedal to the metal and churning out a healthy dose of feel-good rock, it may be the most satisfying of their catalog.  And, in our instant gratification craving society, it's just the kind of record we need in 2011.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?