Skip to main content

Happy 25th Anniversary Paul's Boutique!


No matter who you are, where you come from or what you're into, chances are there's something for you at Paul's Boutique.

Coaxing a collective double take from the frat boys and rap aficionados alike upon its release a quarter century ago today, the Beastie Boys' second LP mostly threw away the immature, raucous bravado of their multi-platinum smash debut Licensed To Ill and went for a more worldly, exploratory approach. This is due largely to the revolutionary use of samples on this record; it was the infancy of the sampling era, and laws didn't exist yet to drive the cost of making a record like this into the stratosphere. For that reason, another record as sample-rich as Paul's Boutique will likely never be (legally) made again.

With regards to the samples, just having them isn't what makes Paul's Boutique an essential album but rather they way they're used. As talented as the trio of MCs were (and, really, the leaps and bounds in the maturity department need to be commended), it's the Dust Brothers' production that truly make this album pop. The myriad of samples all find a good home alongside the vocal performances, and provide the songs with exactly what they need to shine.

This was the Beasties' first record in a lucrative new contract for Capitol Records, who must have felt sick after releasing this vastly different, far less commercially blatant album and seeing its sales numbers come in far below Licensed To Ill. In fact, many wrote the Beastie Boys off in the wake of Paul's Boutique, hailing them as a flash in the pan that would never have another hit. Granted, they wouldn't ever go Licensed To Ill big again, but instead what they got was a slow realization of Paul's Boutique's genius and a long, lauded career that draws incomparable levels of respect and admiration to this day.

When it comes to taking risks in the face of heightened expectations, perhaps no artist from any genre took as big a gamble as Beastie Boys on Paul's Boutique. They willingly sacrificed the easy money for the initial hardship and eventual reward, setting a standard for artistic vision that has scarcely been matched by anyone even 25 years after it happened.

I may not be qualified as a white guy who loves rock and metal much more than he ever did rap, but I don't think I'm alone in my belief that Paul's Boutique is, quite simply, the greatest rap album of all time.









Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...