Skip to main content

The Playlist: 13 Reasons Why "Weird Al" Matters

It's easy to dismiss "Weird Al" Yankovic as a novelty act, a harmless blip on music's radar that pops up every few years or so, raises a chuckle or two and disappears again. Then again, he's been at this for over thirty years now, so at what point do we have to concede that there just might be more to this than cheap laughs?

Perhaps an in-depth investigation into Yankovic's career is counter-productive, as reading so much into the man and his music qualifies as taking it all too seriously by default. True enough, and it's not like he considers himself a serious artiste by any stretch, but a string of successful spoofs and smart satires has to count for more than a smile.

Indeed, Yankovic has crafted himself a fair living off of his parodies, selling millions of records and raking in attention with each new addition to his discography. Mandatory Fun, his fourteenth studio album, was released this week; its accompanying videos have been wildly received, especially the outrageously educational Robin Thicke parody Word Crimes (which, as of this writing, has racked up in excess of 6.5 million YouTube views in about three days). So, clearly, a lot of people are interested in what he has to say.

In light of his continued success, one has to ponder his importance to the industry even while considering his reputation as said industry's skewer. Maybe in this context, we've been guilty of too closely associating importance with seriousness. By discounting Yankovic's music by virtue of its nature, most of us have a sad tendency of reducing his accomplishments as a creative force. But, consider this: if it's so easy to make fun of these songs, why hasn't anyone else done it so successfully for so long? Face it, the guy is an incredibly talented lyricist (don't forget, he once crafted a song's lyrics entirely from palindromes); one can even argue that his uniquely dark sense of humour is a distinct artistic vision all its own.

He's also brilliantly gifted as an observational comedian, lampooning trends and styles when those trends and styles need it most. In this sense, he's chosen the perfect medium for his comedy, as what endures more trends and styles than music? It's almost shocking to think about but, by poking fun not just at artists but the trends they've embodied, "Weird Al" Yankovic has masterfully grown immune of the trends. He's the court jester who's outlived all the royalty, and if you don't think that's a worthy accomplishment you need to give your head a shake.

Here are (in my opinion) "Weird Al" Yankovic's thirteen greatest moments, presented chronologically. Enjoy!

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Headstones Are Getting It Right. And By "It", I Mean "Everything".

When Headstones announced they were finally getting together for a new record (a decade since they'd released one, as the band drifted apart and Hugh Dillon's acting career began to pay dividends), they did so by letting their fans get in on the ground floor. Headstones got self-promotion right. They started accepting pledges toward the funding of the new record on October 19th at their official Pledge Music site , with pledge items ranging from $10 (digital download of album) and $5,000 (a private Headstones unplugged show for you and your friends). Within a day, they'd reached 90% of their goal; as of this writing, they sit at 283% reached. Headstones got funding right. With a planned release date of March 26 looming, something happened. They messed around and got a record deal after a subsidiary of Universal Music (who had originally signed the band back in '92) loved what they heard, and wanted to release it worldwide. The logistics of these things tend to...