Skip to main content

Year in Rock 2011 Nominee: Arctic Monkeys

ARCTIC MONKEYS
Reckless Serenade

From: Suck It and See
Released: June 7

The phrase "suck it and see" is British, just like the Arctic Monkeys.  It refers to something you're unsure about, i.e. the flavour of a candy.  The gist being that if you don't know what it's like, try it and you will.  Of course, America isn't allowed to have nice things, and the gutterminds in charge of sheltering the public from anything that may possibly have the slightest hint of something that may be considered by somebody somewhere nay anybody anywhere the tiniest bit offensive decided that Arctic Monkeys were suggesting we suck their dicks and censored their album cover at some retailers.  Yes, that album cover.  The completely blank album cover with just the band's logo on a sticker and just the title.  It's so risqué, n'est pas?
Suck It and See is an appropriate title for Arctic Monkeys' fourth album, because it's their most diverse offering to date, giving a taste (see what I did there?) of their previous efforts while adding a few new splashes of flavour (wink wink).  You've got elements of their massive and energetic debut thanks to Library Pictures, a track that hurdles along and smashes eardrums while laughing all the way.  You've got flashbacks of the desert drenched high they created with Josh Homme on Humbug with Don't Look Down 'Cause I've Moved Your Chair and All My Own Stunts (which has Homme providing backup).  However, the closest cousin to Suck It and See is probably their second album, Favourite Worst Nightmare.  The sixties-tinged pop they explored on that album's smash Flourescent Adolescent and a handful of other tracks is the juggernaut that keeps this album's flow going.  From the opener She's Thunderstorms to closing anthem (well, anthem by Monkeys standards) That's Where You're Wrong, this album wears its heart on its sleeve.  And Alex Turner deserves full marks with his vocals here; we always knew he could sing, but on Suck It and See he employs his voice as an instrument much more often than he shouts/speaks his lyrics. 

The star song on the album is a bit of a dogfight, what with so many highlights as there are on Suck It and See.  There are a lot of great moments, so in the end I had to go with my gut and my heart, and pick the one I've gone back to more often than any other on the album.  Reckless Serenade is a monster of a track (even though it wasn`t even a single), with smooth bass, a snappy beat, and lyrics that just (and I mean just) balance on the tightrope separating awesome from insane.  It's a fun song, and it's heartfelt.  It's a pleasing detour on an album full of pleasing detours. 

Suck It and See sounds not only like an all encompassing career summary, it also sounds somewhat like a reset button.  One gets the feeling that Arctic Monkeys can go anywhere from here, although we`ll have to wait a little while before getting any more answers; Alex Turner announced earlier this year that they`d be taking a break from writing and peforming until at least 2013. That leaves a lot of time to reflect, and to plan their next move.  That's why I consider them to be one of the most exciting bands to be a fan of these days. 

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?