Skip to main content

Year in Rock 2011 Nominee: Red Fang

RED FANG
Wires

From: Murder the Mountains
Released: April 12

If you were wondering when the inevitable sludgy metal entry was going to make its first appearance this year, wonder no more.  Making their recorded debut only two years ago, Red Fang have already turned a lot of heads in the metal community.  After doing some small shows with the likes of Helmet and Crowbar, Murder the Mountains was released to critical priase.

Listening to Murder the Mountains, it's easy to see why.  From cover to cover, its rocks hard; riffs are tasty, groove intact, heavy as fuck.  It's as though the boys were sitting around one night sipping on a brew and listening to Melvins' classic Houdini, lamenting the fact that they didn't make albums like that anymore, when they suddenly realized that they could probably make an album like that.  As it turns out, Murder the Mountains isn't quite up to snuff when compared to all-time sludge masters like Melvins, but be patient.  This is their official debut album, after all.  Once the band plays more shows and hones their skills, they'll unleash a true beast on us.  Just ask Mastodon, who recently selected Red Fang as opening band on their fall tour.  They didn't turn out Leviathan until album two, and just knowing the two bands are sharing space with each other on the road has me very excited for what Red Fang does next.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?