Skip to main content

Year in Rock 2011 Nominee: Foo Fighters


FOO FIGHTERS
White Limo

From: Wasting Light
Released: April 12

Resonating with the warmth of the analog tape it was recorded on and benefiting from some of the band's best songwriting ever, Wasting Light is a hulking slab of rock the likes of which we don't see very often anymore.  Maybe it's because it was produced by Butch Vig, maybe Dave Grohl had the 20th anniversary of Nevermind on the brain.  Maybe Grohl was simply sick of hearing people say the Foos had gotten soft after 2009 single Wheels became a crossover smash.  Whatever the case, Wasting Light grabs you by the throat from the jagged opening salvo of Burning Bridges, and doesn't let go until after the soaring Walk's final note rings out.

In between, the album is chock full of Grohl's uncanny sense of melody; it's a gift that has spawned more hits than you could have fit on their 2009 greatest hits album.  On Wasting Light, though, that gift for melody is filtered through a wall of guitars and howls.  Even the quietest moments (the lamenting I Should Have Known, for example) eventually boil over and explode into a hail of distortion.

Honestly, I could have chosen just about any song from Wasting Light to illustrate how awesome it is.  I chose White Limo because it perfectly shows the point I just talked about from the other side.  So as to say, even when the album is at its most muscular and menacing (such is the case on White Limo), there's that gift for melody at play just under that surface of grime.

At the end of the day, here's what I take away from Wasting Light: it's hard to keep a band together long enough to put out a greatest hits.  It's even rarer to have that hits collection with a fair number of hits that didn't make the tracklisting.  Rarest of all is the band that puts out that hits collection and then, rather than disbanding or fading into obscurity like so many do, follows it up with the greatest album of their career.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2014: And the Winners Are...

It's been a long year, and another great one for rock n' roll. While the pop charts were overrun with barely legals obsessed with their asses, rock soldiered on undeterred even as pundits (hell, in some cases even rockers themselves) mourned the genre. Sure, rock didn't dominate the money game in 2014, but that shouldn't evoke sad nostalgia and eulogies. Even for as little perceived impact rock music made, a hell of a lot happened if people had only paid attention. From grizzled vets adding jewels to their crown (Springsteen, Petty) to new beginnings (Against Me!, Antemasque) to happy returns (Faith No More, The Tea Party) and all points in between, rock continued to thrive, evolve and thrill in 2014. Enough talk. It's winning time. Your Year in Rock winners for 2014 are...

Hear Me Out: Why Do A Greatest Hits Album?

So, Silversun Pickups announced a "singles collection" today. Now, I'm no expert on "singles" or "hits" compilations; even so, I've got to say this announcement threw me for a loop for a couple of reasons. For starters, isn't it a bit early for a band like Silversun Pickups to be given the "greatest hits" treatment? I know, I know, it's a "singles collection". But, come on; it looks like a greatest hits album, it smells like a greatest hits album, so on so forth. More importantly, though, are these really necessary entities in 2014? I mean, who is this album for? Casual fans who've already downloaded the singles they like or established fans who are expected to shill out $15 for one new song?