Skip to main content

Year in Rock 2011 Nominee: Cold War Kids


COLD WAR KIDS
Louder Than Ever

From: Mine is Yours
Released: January 25

It seems like a lifetime ago that Cold War Kids' mix of Southern rock, blues and modern pop was the toast of Indie Town, their amazing debut album Robbers and Cowards gracing every other top ten list that existed online.  Then, something happened.  By which I mean, the bloggers and critics abandoned the band by the time they released their quirky, rather difficult follow-up Loyalty to Loyalty.  Indeed, the album was heavily criticized for being too odd and not enough fun, which this writer presumed was the backbone of the entire indie rock community.  I must be getting too old for this shit.

Anyway, now you know the story; local band does good, gets noticed, gets praised, gets weirder, gets ignored.  Which brings us to Mine is Yours.  In a musical equivalent to Cartman's "screw you guys, I'm goin' home", Cold War Kids recorded their 2011 release with producer Jacquire King, whose most notable resumé entry is Kings of Leon's multi-platinum breakthrough Only By the Night.  You can almost hear the Followill brothers harmonizing on lead single Louder Than Ever, a smoky, swaggering track that is equal parts sex and fire.  Of course, the critics didn't care to give more than a passing glance and a paragraph-long, less-than-average review to the album, and it obviously wasn't their commercial breakthrough.  Looks like Cold War Kids are standing at a crossroads; do they make the music that's in their souls, or continue down the path to mainstream acceptance?  I, for one, say crank up this track and enjoy the ever-loving shit out of it before Cold War Kids' inevitable transformation into Maroon 5.

Comments

Popular posts from this blog

Year in Rock 2025

  Alright, I've got some explaining to do.   By now anyone who's visited this blog is well aware of how infrequently I've used this space in recent years; aside from the occasional fertile year of content, I really haven't posted all that often over the last five years or so. There are many reasons for this, which have already been outlined in previous apology posts; but, essentially, it boils down to my own laziness and the cold reality that blogs are, like Refused (again), fucking dead. So, I wouldn't hold my breath for a triumphant return to reviews, or even semi-regular posts, but:   a) I feel like Year in Rock posts have always belonged here and, even though I've experimented with different methods of presentation recently and been satisfied, the "blink and you missed it" unveiling via Facebook stories this year was perhaps ultimately a disservice to the records I lauded. After all, cramming the list into short videos isn't too far off from ju...

Year in Rock 2011 Nominee: Sam Roberts Band

SAM ROBERTS BAND I Feel You From: Collider Released: May 10 Having already endured the breakout success ( Brother Down was Canada's it rock song of 2002), the tentative dabbling in the U.S. market, as is the rite of passage for all moderately successful Canuck artists (2003's debut We Were Born in a Flame was the best time to try; one of the best albums of the year, it made a small dent in the American mindset upon its release there a year later), the difficult, druggy third album (the aptly named 2005 disc Chemical City ), and the subdued creative step backward (2008's Love at the End of the World , aside from hit single Them Kids , was really kinda bland), it seems according to script that Sam Roberts would start settling in on his fourth album (and first with the band credited as equal contributors), Collider (you know, I think it was a bad idea to give me brackets). Well, as far as settling in goes, Roberts does and doesn't on Collider .  W...

IN REVIEW: Rancid - "Trouble Maker"

As far as punk rock goes, it's hard to name a hotter hot streak than the trio of records Rancid cranked out between 1995 and 2000; the star making ...And Out Come the Wolves , the far-reaching Life Won't Wait and their balls-to-the-wall second self-titled album solidly positioned Rancid as leaders of the second generation of punk. It also preceded a period of slow progression, as Rancid would take eleven years to release their next three records. By the time ...Honor Is All We Know came in 2014, many fans (myself included) had to wonder whether or not this was the end of the road. Such concerns are handily dealt with on the closing track of the standard edition of their ninth record, the positively punishing This Is Not the End . Well, okay then, that's sorted. Now, what of this new record? What do we make of the use of their original logo on the cover, a logo that hasn't graced a Rancid record in 25 years? Is this a throwback to the band's heyday, a new begin...